A
Nova Scotian singer who never publicly recorded a note is internationally
reknowned for her magnificent voice. That in itself is a phenomenon.
More remarkable yet is the story of Portia White, a black, female singer
who rose to fame in the 1940's and all but disappeared from history
until recently. The operative words here are "black" and "female", yokes
under which Portia White laboured and which Nova Scotian writer/filmaker
Sylvia
Hamilton describes as 'the double whammy of being born black and
female'. That being the case, being born black and female in the year
1911 must have been a 'triple by-pass' for most, but not for Portia
White.
Portia White is described as one of the greatest vocalists in Canadian
history and has been repeatedly compared to Philadelphia's Marian
Anderson (1897 - 1993), also a classical contralto, also black and
female. Except for the long life and thus the lengthy career of Anderson,
her story and that of Portia White's are remarkably similar.
Portia White's determination to be successful and the story of her 10
mile walk each week for music lessons is well
documented, but the details surrounding what followed are not so
well known.
Following a dream is one thing, but how this feisty woman broke all
the barriers of race, gender and the exclusivity of classical music
is another. Her first concert was held in Toronto in 1941 and by 1944,
she was touring internationally.
That same year, the Nova
Scotia Talent Trust was established to support Portia's career,
an organization which still exists and has rewarded exceptional Nova
Scotian artistic talents to the tune of almost a million dollars. In
the 50's, Portia was to give a command performance for Queen Elizabeth
II.
More recently, in 1998, the Nova Scotia Arts Council established the
Portia
White Prize and Canada Post issued a postage stamp in her honour.
Fifty years earlier however, it was a different world. By 1948, puzzling
circumstances had all but stilled the amazing voice of Portia White.
In the short decades to follow, Portia lived in Toronto teaching music
to talents like Robert Goulet, until her untimely death from cancer
in 1968. She was 57 years old.
How this all came about is an incredible story that tells of an exceptional
individual, and a loss to classical music. With the help of Portia's
youngest brother and sister-in-law Vivian White , Western Washington
University Professor Jay White (no relation) has compiled a
'history' of Portia White.
Fortunately, all is not lost. Chris White (son of Lorne) and his sister
worked hard to insure that the few family recordings of Portia's concerts
were available to the National Archives of Canada. The quality is better
than expected and a Portia White CD entitled "First,
You Dream..." is now available. Don't miss out. It's the only
recording of Nova Scotia's famous 'black female classical singer' you'll
ever hear. Here's a
snippet, from CBC Radio Arts.
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